HONORABLE MENTIONS
Beats Antique
"Collide"
(CIA)
One alleged Bay Area belly dancer plus two Bay Area lower-case gypsies
dub up Middle Eastern beats -- and tunes -- they play themselves ("Beauty
Beats," "Roustabouts [Bassnectar Remix]").
Zomby
"Where Were U in '92?"
(Cargo)
Revisiting/recombining jungle's heady heyday -- or, if you're neither
nostalgic nor scholarly, gluing 38 minutes of electrodance dynamite onto
repeated rumbling synth riffs and surgical blats of rousing high-end ("Where
Were You in '92," "F--- Mixing, Let's Dance").
Flying Lotus
"Los Angeles"
(Warp)
Steady-state DJ undulates a world of sound in the world's direction
("Comet Course," "Golden Diva").
Kocani Orkestar
"The Ravished
Bride" (Crammed Discs)
Balkan brass's most fluent ensemble speaks the
language of erotic commitment ("Kalino Mome," "Sahara Dreams").
Ashford & Simpson
"The Real
Thing" (Burgundy)
After 45 years of songwriting and 35 of marriage, their
partnerships live on live ("It's Much Deeper," "Gimme Something Real").
Clem Snide
"Hungry Bird"
(429)
Impressionistic doomsongs that grow in beauty, as if to prove doom has
an afterlife ("Pray," "With All My Heart").
Abe Vigoda
"Reviver" (PPM)
If
this EP marks their transition into a song band, somebody tell them mixing the
voices up front won't do the trick ("The Reaper," "Don't Lie").
Madlib
"The Other Side: Los
Angeles" (Time Out/Deaf Dumb + Blind)
Afrocentric mixmaster's multiculture
speaks only da English -- but in a beatful way (Outlaw Blues Band, "Deep
Guilty"; Steve Grossman, "Inmate Man").
Ludacris
"Release Therapy"
(Disturbing Tha Peace)
Rap porn clown as rap businessman, a richer choice
thematically than rap entertainment mogul or rap crime boss ("Tell It Like It
Is," "Mouths to Feed," "Slap").
Various artists
"The Best of the Johnny Cash Show 1969-1971"
(Columbia/Legacy)
Back when country was working to prove it was America's
music, rather than donning the mantle of patriotism and disrespecting us sinners
(Ray Charles, "Ring of Fire"; George Jones, "MEDLEY: She Thinks I Still
Care/Love Bug/The Race Is On").
Soulja Boy Tell
'Em
"iSouljaboytellem" (Collipark/Interscope)
Stoopid, but
far from dumb -- especially compared to the dogboys who froth at the mouth about
him ("Bird Walk," "Eazy," "Soulja Boy Tellem").
Various artists
"Belly Bar" (CIA/Bellydance
Superstars)
For two CDs ethnic and less so, what the title says, although
outsiders well may wonder about the "Some Like It Cool" disc (Saad, "Salaam
Alakoom"; Turbo Tabla, "Irrouh").
Wye Oak
"If Children"
(Merge)
Poised warily between innocence and experience, d/b/a melody and
chaos ("Keeping Company," "I Don't Feel Young").
David Banner
"The Greatest Story
Ever Told" (Big Face/SRC/Universal/Motown)
Aka "The Power of Positive
Thinking," "How to Win Friends and Influence People" and/or "A Man for All
Seasons" ("Cadillac on 22's Part 2," "Get Like Me").
The Bigfellas
"Chubbed Up" (no
label)
Beloved San Diegans reflect more wittily and tunefully than most on
their normally displaced lives ("Reinventing the Wheel," "Wish You Knew").
Clipse
"Clipse Presents: Re-Up
Gang" (Koch)
Liva and Sandman carry more weight than they can eat ("Million
Dollar Corner," "Emotionless").
Amanda Palmer
"Who Killed
Amanda Palmer" (Roadrunner)
In the grand solo-artist manner, better when she
explains her dark-side vision than when she explores it ("Runs in the Family,"
"Ampersand").
Novalima
"Coba Coba"
(Cumbancha)
Retro-futurist Peruvian salsa, freshest at its most dub
("Kumana," "Se Me Van").
Madlib
"Beat Konducta Vol. 5-6: A Tribute to . . ."
(Stones Throw)
J Dilla for Dummies (like me), in 42 shifting pieces ("King
Chop [Top Line]," "Never Front [Ears Up]").
Boom Pam
"Puerto Rican Nights"
(Essay)
Surf-inflected Balkan worldbeat inna Hebrew, avec rent-a-singers
("Ushest," "Marylyn Jones").
CHOICE CUTS
Bruce Springsteen
"Queen of the
Supermarket"
"Outlaw Pete"
"Kingdom of Days"
("Working on a Dream"
[Columbia])
Simone White
"Mary Jane" ("I Am
the Man" [Honest Jon's])
Ludacris
"I Do It for Hip Hop" ("Theater of the Mind"
[Disturbing Tha Peace])