HONORABLE MENTIONS
Moby
"Last Night" (Mute)
There are cornier ways of keeping it
old-school ("Everyday It's 1989," "I Love to Move in Here").
Justin Adams (with Juldeh
Camara)
"Soul Science" (World Village)
Gambian griot adds his
one-stringed ritti to desert-besotted British rocker's guitar for traditional
wisdom and no less traditional diddleybeats ("Yerro Mama," Ya Ta Kaaya").
DJ Yoda
"The Amazing Adventures of DJ Yoda" (Antidote)
It's harder
when you have to create the songs yourself, but Biz Markie and Tiny Tim help, as do the laugh lines ("Breakfast
Cereal," "Tip-Toe").
Kid Koala
"Your Mom's Favorite DJ" (Ninja Tune)
Still the king of
stand-up turntablism ("Left Side," "Right Side").
Stephen Malkmus & the Jicks
"Real Emotional Trash" (Matador)
A jam band for
middle-aged neurotics who gather where most of their kind gather -- their living
rooms ("Hopscotch Willie," "Dragonfly Pie").
The Ike Reilly Assassination
"We Belong to the Staggering
Evening" (Rock Ridge Music)
Struggling artist realizes he has more money than
the strugglers he writes about, and writes better as a result ("Valentine's Day
in Juarez," "Broken Parakeet Blues").
Justice
"Cross" (Downtown/Ed
Banger/Vice)
As dance music, not my idea of a good time, but as electronic
pop, so much trickier, sillier and more kinetic than Kraftwerk ("Newjack," "D.A.N.C.E").
Madonna
"Hard Candy" (Warner Bros.)
OK, a middle-aged fitness nut
can sing pop ditties just like middle-aged lushes could once sing pop standards,
with this requirement -- a little help from Timbo and Kanye ("4 Minutes," "Beat
Goes On").
DJ Craze
"Fabriclive.38" (Fabric)
Hard electro hip-hop mix devolves
into squelchy electro scratch mix -- or evolves if you like, it takes all kinds
(Cool Kids, "Black Mags"; the Pase Rock, "Lindsay Lohan's Revenge [Klever
Remix]").
Drexel
"River of Chowder" (Dayton, Ohio)
One guy you never heard
of's bereft, derelict, falsetto tales of southern Ohio over another's rolling
piano and whatever else comes to hand ("Big John's House," "Practicing
Preachers").
El Compa Chuy
"Alacrana Lavada" (Norte)
Corridos with nutty polka
accordion and crazy-ass tuba -- which aficionados tell me gets even crazier
sometimes ("Por Algo Soy El Patron," "Junior Terrazas").
Robyn
"Robyn" (Konichiwa/Cherrytree/Interscope)
The sucky ballad
crossed over, so enjoy this Euro-Madonna's nasty side while it's still there
("Handle Me," "Cobrastyle").
Carrie Underwood
"Carnival Ride" (Arista Nashville/19)
Nashvillians with a
track record rarely lack for songs, but note that she wrote several of the
liveliest ones herself ("The More Boys I Meet," "Last Name").
God-Des & She
"Stand Up" (Sony Twist)
Lesbian hip-hoppers who are better
at sex than politics but you have to admire for caring about both ("Lick It,"
"Hollywood").
Kylie Minogue
"X" (Virgin)
An especially happy birthday to the Aussie
ex-ingenue, who just turned 40 and can still credibly sing, "Boy, you got it got
it, you got me feeling crazy 'bout my body" ("Nu-di-ty," "Speakerphone").
Remy Ma
"The BX Files" (Sure Shot)
If your records weren't all
that, maybe you'd have anger-management issues, too ("Influentials," "Rapid
Fire").
CHOICE CUTS
Lil Mama
"Lip
Gloss"
"College"
("VYP: Voice of the Young People" [Jive])
Flo Rida (Featuring T-Pain)
"Low"
Missy Elliott
"Ching-A-Ling"
"Shake
Your Pom Pom"
("Step Up 2 the Streets" [Atlantic])
Dolly Parton
"Backwoods Barbie"
("Backwoods Barbie" [Dolly])
Mariah Carey
"Touch My Body"
("E=MC2" [Island])