Bing Search

Music News

Marilyn Monroe
© AP / Marilyn Monroe
Marilyn Monroe hologram concert in the works amid growing controversy

Eriq Gardner
The Hollywood Reporter

When a projection of Tupac Shakur appeared on the stage at the Coachella Valley Music and Arts Festival in April, hundreds of thousands of onlookers reveled in seeing one of hip-hop's greatest performers seemingly brought back from the dead. Shakur's music soon returned to the Billboard 200 albums chart for the first time since 2000, and almost immediately, word spread about a possible tour.

But in the weeks since that headline-grabbing stunt, many in the music community have begun wondering about the potential financial and legal repercussions from using technology to resurrect legendary artists onstage, even as speculation has centered on which superstars might be next to receive the treatment.

Bing: Tupac's 'hologram'

For instance, The Hollywood Reporter has learned that a "live" Marilyn Monroe concert is being planned to take place before year's end with the working title Virtual Marilyn Live -- A Musical Celebration of the Birth of the Pop Icon. The concert, which has yet to secure a venue (organizers also plan to stream it on the Web), will feature the projected blond bombshell singing and interacting alongside live music stars. Becky Altringer, managing director and co-founder of Digicon Media, the company doing the planning, says the event will employ the technology used at Coachella to launch virtual Marilyn's new career as "a performer, spokesperson, cultural pundit and computer avatar."

Who's next? Will Elvis Presley return to play Vegas? How about a Jackson 5 reunion mixing the surviving members with a hologram of Michael Jackson? CNN already has incorporated holograms into its election coverage, and TV commercials have used footage of Fred Astaire and Marlene Dietrich to hawk products.

The potential new revenue stream from holograms could boost an already lucrative business for the estates of some of the most iconic dead celebrities. Jackson raked in $170 million in 2011, according to Forbes. Presley took home $55 million. Monroe, despite having died of an apparent drug overdose nearly 50 years ago, didn't do badly at all, bringing in $27 million. "I would say there could be an uptick [in revenue]," says Mark Roesler, head of CMG Worldwide, an Indiana-based agency representing the estates of stars including Andy Kaufman and Natalie Wood. "Whether that is 10 or 30 or 40 percent is hard to tell, but it will be an uptick."

Holographic technology also could spread beyond dead musicians. Think Marlon Brando performing "A Streetcar Named Desire" live onstage. Or a virtual Jimmy Stewart starring in a remake of "It's a Wonderful Life." Or Hank Aaron breaking Babe Ruth's home run record in front of a stadium full of nostalgic fans. The adult entertainment industry, always quick to adopt new technology, also could make interesting use of holograms.

Also: The Top-Earning Dead Celebrities

"There is a genuine feeling that this is cool and this is the future," says Justin Wilkes, executive VP of media and entertainment at @radical, a firm that has created holograms on behalf of advertising clients like Deutsche Telekom. "Audiences are craving the experiential, and if you can give them an immersive experience and take them through a story, the possibilities become incredibly exciting. Imagine what happens when James Cameron and Martin Scorsese come on board." Indeed, the "Hugo" director has said, "If everything moves along and there's no major catastrophe, we're headed toward holograms."

Despite the enthusiasm, however, it's far from settled what rights are needed to pull off holographic spectacles.

To adapt a performance from an existing video work, all that is typically required is a copyright on the video. But, potentially, more rights are needed for holographic performances: In many states, including California, celebrities also hold valuable "rights of publicity," which allow them to protect their images, voices and likenesses from exploitation without consent.

Has a movie star who signed a broad contract given up rights to stop a hologram? Actors and musicians usually allow studios and record labels to use their images to promote a film or album forever. Reality TV stars hand over to producers pretty much all of their rights for a chance to become famous. Some lawyers, therefore, believe that most existing contracts give studios the rights to create holograms if the technology merely modifies a work covered by a contract. And there are exceptions to publicity rights. They often don't cover celebrities (like Monroe) who didn't live in a state with such protections at the time of their death. The law also allows "fair use" for new works that are "transformative," meaning they use a small amount of a celebrity's image as part of a larger spectacle.

More: Dr. Dre: No plans for Tupac 'hologram' tour

The coming Monroe concert could signal the type of legal fights to come.

Digicon, which says it has been developing avatars and "synthespians" since 1995, is not working with the Monroe estate, as Coachella producers did with Shakur's family. The company owns certain copyrights pertaining to Monroe, including a recent grant on her computer-generated persona, and Altringer says that might be enough. "We will probably end up cooperating with them, but only when they come to us," she explains. "We aren't in a rush to deal with them because they [own] only marketing rights to old photos for merchandise. We will have our own rights for the living virtual Marilyn, who is the pop icon today."

A rep for Monroe's estate couldn't be reached for comment, but it has brought several lawsuits against those who have used her image without permission. Jonathan Faber, chief executive of Luminary Group, has managed deceased celebrity estates including those of Ella Fitzgerald, Ruth and, formerly, Monroe. He says he's unsure how courts would interpret the issue but adds he wouldn't "hesitate to bring a case" against someone who used one of his client's images to create a touring hologram.

That said, Faber is curious where the technology will lead, though he's not steering clients to be on the first wave.

"Almost all the clients whom I work with aren't guided solely by money," he says. "They would want to see how this can be done tastefully, something their spouse or their father would have stood for. I think we'll need to gauge the public's reaction before proceeding."

Many are approaching holograms with similar skepticism. For instance, if they could be used to show performers doing things they never did during their lifetimes -- imagine footage of Brando manipulated so he could play the villain in the next Avengers movie -- could the rights-holders of Brando's screen work get away with making a deal without his estate intervening?

That question likely will require immediate attention from Hollywood dealmakers hoping to avoid court battles over how to interpret old contracts in light of technology no one contemplated when making those deals. For example, those who allowed their image to be shown on movie screens many years back never imagined that films would be distributed online.

"You've got to be careful about the way these clauses are written," says Jonathan Steinsapir, an attorney at Los Angeles firm Kinsella Weitzman. "If you want to exclude holograms, you should explicitly exclude them in contracts."

Tell us on Facebook: Would you pay to see a dead star "perform" via hologram?

Tupac Shakur's surprise virtual appearance at the Coachella Valley Music and Arts Festival in April was widely described as a cutting-edge hologram stunt. But it had nothing to do with holograms. The image actually was made possible by a magician's trick known as "Pepper's Ghost" that might date as far back as the 1500s, according to a research scientist at MIT.

"You have a half-silvered mirror on a stage at an angle and a projector somewhere down about where the footlights of the orchestra would be, and it projects an image that appears to be on the stage," explains V. Michael Bove Jr., who heads the object-based media group at the MIT Media Lab.

While a Pepper's Ghost illusion uses light, it typically is a 2-D technique that differs from a hologram, which involves a 3-D image that recreates "light waves that would have come from a physical thing if it were present," says Bove.

Still, true holograms might not be far off. At the MIT Media Lab, Bove's team is doing research toward developing live holographic images that can be broadcast on television. That first required finding a way to "capture" a hologram -- no easy task. A surprising tool used to process some of the needed information is Microsoft's Kinect motion controller, which video game fans know as an Xbox accessory but has additional (and important) applications. "We can plug a Kinect into a laptop, capture a scene and reconstruct it as a hologram," Bove says.

A remaining challenge to holographic television comes at the display end. "You need more pixels than are typically [in a television monitor]," says Bove, adding that "right now, real holograms are restricted to postcard size -- maybe cell-phone or laptop size." Plans are afoot to "scale up" the images to living-room size, though it will take many more years before they can be presented in movie-theater size. If that happens, 3-D holograms would offer a much different experience than the 3-D currently used in theaters. Now, if a viewer moves his or her head, the scene doesn't really change. But 3-D holograms re-create real life, where a viewer can change his or her perspective by looking around objects and people. "Holograms have that property," says Bove. "The viewpoint changes when you move your head."

But for now, the "magic" of Tupac, says Bove, was in the lifelike computer animation used in recreating the rapper, not necessarily the technology that projected him to Coachella fans. "That's not about display technology; that is about storytelling.

Jun 7, 2012 11:16AM
Pretty cool stuff, who doesn't want to see Elvis go back on tour? that would be awesome. And someone said cloning is next, why not? Lets make some new laws and clone the brilliant minds that can help us such as  Einstein, or prize winning doctors that invented medicines. Think what they could do in this day and age when they get old enough.
Jun 1, 2012 7:36AM
How about a Jim Morrison hologram that walks down Sunset Blvd vomiting in the alleys?

Maybe~~~we can ~~"COME UP & SEE~~" MAE WEST"~~ SOMETIME"~~~Looking for Fun Fun Fun ~!!!!!!!


May 31, 2012 6:05PM
it all sounded fine till they started talking about holograms replacing living actors. Let's not take jobs away from people and give them to the deceased. I am all for seeing the advancement of technology and Marilyn is one of my favorites, but a one time thing like Tupac would be cool. using this tool for everything is juts too much
May 31, 2012 5:53PM
...and the next step is to clone dead entertainers....wait a few years and v-o-i-l-a!
Please help us to maintain a healthy and vibrant community by reporting any illegal or inappropriate behavior. If you believe a message violates theCode of Conductplease use this form to notify the moderators. They will investigate your report and take appropriate action. If necessary, they report all illegal activity to the proper authorities.
100 character limit
Are you sure you want to delete this comment?
more on msn music
Miranda Lambert/Pharrell Williams/Janelle Monae
See highlights from this summers' biggest current tours and festivals
Ed Sheeran: From touring with Taylor to a single with Pharrell, British troubadour navigates to pop's mainstream
Most memorable BET moments: Check out six highlights from the 2014 awards' nearly four hour event
Courtney on Kurt: His widow and Hole front woman reveals Cobain was "desperate" to achieve rock stardom
Prince reigns: The funk-rock-pop wizard reveals another full-length set ready to roll out for fans