Hands All Over reveals less about who frontman Adam Levine is than did Maroon 5's previous records; too often the songs cleave to opaque generalities.
A solid if formulaic record. [Nov 2010, p.94]
Levine and crew could be blue-eyed-soul godheads, the 21st-century Hall and Oates. But they need to loosen up first.
Really this is lead singer Adam Levine's show. Thus, the band's success lives and dies with his delivery. That delivery remains technically sound, though as a whole, the band underwhelms here.
Hands, competent and studio-sleek as it is, too often begs for a fresher muse.