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Viva La Vida or Death and All His Friends

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Critics' Reviews

91
ENTERTAINMENT WEEKLY: 

The confident majesty of the music, however, belies how he and his bandmates have invigorated their rock-lite reign. [20 June 2008, p.65]

70
PopMatters: 

Viva la Vida is not their masterpiece, but for now, it's as close as they're gonna get.

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70
ROLLING STONE: 

Coldplay's desire to unite fans around the world with an entertainment they can all relate to is the band's strength, and a worthy goal. But on Viva la Vida, a record that wants to make strong statements, it's also a weakness.

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70
Billboard: 

The rest is closer to the Coldplay we know: a competent blend of heavily orchestrated redemption songs ('Viva La Vida,' already the biggest hit of the band's career), swirly arena rock ('Lovers in Japan') and life-stinks-without-you ballads ('Strawberry Swing')likely to resonate despite the new bells and whistles.

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65
Pitchfork: 

The record's violent, revolution-themed artwork is misleading. Viva is more like a bloodless coup--shrewd and inconspicuous in its progressive impulses.

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60
The Guardian: 

Lyrics aside, Viva la Vida fixes most of the glaring problems with 2005's "X&Y," simply by eschewing verse-chorus structures in favour of something more episodic.

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See all Viva La Vida or Death and All His Friends reviews at metacritic.com
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