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Bon Iver

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Critics' Reviews

100
The Guardian: 

Bon Iver remains rooted in the emotional sincerity that made Vernon's debut so mesmerising.

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95
Pitchfork: 

It's a rare thing for an album to have such a strong sense of what it wants to be. Bon Iver is about flow, from one scene and arrangement and song and memory and word into the next-- each distinct but connected-- all leading to "Beth/Rest".

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91
ENTERTAINMENT WEEKLY: 

On Bon Iver, his second full-length, an emboldened Vernon achieves a beautiful fantasy all his own, backed by a full band and buoyed with horns and pedal steel.

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75
LOS ANGELES TIMES: 

Vernon on Bon Iver solidifies his place not as innovator, but as someone who's found a nice, fertile plot of land somewhere near where folk, rock, R&B and indie rock intersect, and is happy to wander across its great expanse honoring all of it.

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70
ROLLING STONE: 

Bon Iver isn't quite a crossover move. Big-pop synths appear, but more in the way a radio hit sounds leaking out of your lover's earbuds.

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63
CHICAGO TRIBUNE: 

The sound is a good deal plusher, the arrangements thickened with pedal steel, saxophone, horns, percussion. But Vernon still sounds like he's back in that Wisconsin cabin that birthed "Emma."

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60
PopMatters: 

Despite its hype, its expectations, its blown up sound, and its many production flourishes, Bon Iver is nothing more than a solid placeholder album.

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See all Bon Iver reviews at metacritic.com
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