The Foley Room

In the end, what makes The Foley Room Tobin's best album in seven years is the way his bent for organized chaos manifests as a deft control of every sound that surrounds him: Anything's a beat, everything's a break, and the difference between sound and music is entirely contextual.

A smooth, natural progression from Supermodified.

The results have a clinical, cerebral appeal, but--perhaps predictably--sometimes fail to deliver instinctive musical kicks. [Mar 2007, p.100]

Tobin vigorously assumes the avant-garde mantle. [Apr 2007, p.96]